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11 Years of Frequently Asked Questions (FAQs):

Recording at Pyramid

What are your rates?

How much will this project cost?

 

Does the studio take walk-ins?

 

How far in advance should I book studio time?

 

Will I need to leave a deposit?

 

Are there any guarantees involved with the service?

 

Are there any hidden cost? 

 

Does this studio extend credit for projects? 

 

Another studio is offering free recording time, would you consider that?

 

Would you work for bartering (trade goods or promises, etc)? 

 

How long do you hold on to a project?

 

I recorded at another studio, or intend to record here then finish it else where - can we do this?

 

I recorded my song at home but can't get that professional sound.  Would you be willing to help?

 

 

 

Some recording studios offer flat rates for songs.  Isn't this better?

If I record to MIDI at home, can you use that to create the song I can sing to in order to save time?

 

I just play one instrument, can you add drums, bass, and other pieces to make it sound like a band?

 

I need help with production, is that available and what is the cost?

 

If we use the service (production), does that mean you make all the decisions regarding our music?

 

My child wants to record singing a cover song, but we don't have the money to create the music.  what do you suggest?

 

Are we allowed to smoke inside the building?

 

Are we allowed to consume adult beverages?

 

How does the studio feel about drugs?

 

Are children allowed?

 

Are pets allowed?

 

 

 

 

 

 

 

Equipment

You've made 24 track 2" tape recording available.  With everything digital, why record to analog tape? 

Most studios use Pro Tools and you use Nuendo, what is the difference? 

 

What difference does it make to use expensive microphones verses the inexpensive ones?

Why is it important to have an assortment of microphones?   

 

Miscellaneous

What is Mastering and do I need it?

My CD has already been mixed, but it really sounds muddy and over compressed.  Can mastering fix this? 

I have a CD mixed from somewhere else that needs level changes, can you do this?    

What benefit is there to going to a professional studio vs. buying my own recording equipment?  

With the rates studios charge, wouldn't it be cheaper to buy my own gear to record my project?

 

Am I allowed to record a song by another artist?

What about copyrights and my music, when should that be done and how?

Do you have a record label? 

I purchased recording software from an online dealer and need help getting it running, do you assist with that?   

A record producer in Nashville contacted me and told me that I have a good chance at making it big.  What do you think of this?

 

 

 

 

 

 

 

 

 

 

 

 


 

Recording at Pyramid

What are your rates?     Depending on the service (what is needed) the rates vary.  We don't, however, discuss rates until your appointment because searching for a recording studio can't be compared to shopping for the best price on toaster ovens.  You need to know what the studio has for equipment, hear examples of work performed, see the rooms for comfort, and talk with the engineer (looking for professionalism and knowledge).  Decide for yourself how much you want to spend (budget) and speak with the studio representative to see if he/she can work within your budget (see next question).

How much will this project cost?     It depends on what you need accomplished and how much you want to put into your project. The first step is to consider what your maximum budget (cost) should be. Then divide it up for the whole process of recording, mixing, and mastering.  Using our custom Budgeting Calculator™, we can help determine how far your budget will go and how much time is set aside for each process.  Then it should be your goal to stick to the allotted times to stay within your budget.   You may run over or stay under depending on how efficient the operation is.  Think of your project as a business and run it as such. 

Does the studio take walk-ins?     No, the location is on private property and operates by appointments only.  There is no public access where people will "drop by" for a visit during your session.  The doors are locked to insure privacy.

How far in advance should I book studio time?     It is best to call at least 3 weeks prior to get a preferred date and time.  Calling for the same day appointment usually shows no availability since everything is scheduled.  

Will I need to leave a deposit?     We don't need advances since people who are serious do show up.  These are individuals we want to work with.  If one "forgets" the appointment (no show) and fails to notify us, a non refundable advance would then be required for the next appointment.  Three no shows is an indicator that there is no serious interest and therefore not a priority to us.  

Are there any guarantees involved with the service?     While no one can honestly make guarantees such as success in CD sales, fame and fortune, etc.,  providing satisfactory service that day is something we can give or you don't pay.  Of course you don't leave with any recorded material and the project is deleted/erased. 

Are there any hidden cost?     No, this studio is an up front pay by the hour rental and pay for materials (if any) type of service. The studio, equipment, and engineer are all included in the rental price. 

Does this studio provide credit for projects?     No, we (like others) learned the hard way.  We do accept credit cards via Pay Pal (pre pay), and of course there are plenty of ATMs nearby.  Call before your appointment to discuss payment type to insure you will be able to leave with a CD or other deliverables.

Another studio is offering free recording time, would you consider that?   Flags should go up anytime someone providing a service offers it for free. - they probably need the experience or are reeling you in for something more costly.  Make sure you copyright your work and have a signed agreement before going. Good luck...

Would you work for bartering (trade goods or promises, etc)?     No, the preferred method of payment for a service is currency.

How long do you hold on to a project?     Like other pro studios, we obligate to the end of the session (that day).  The rule is to have the engineer archive the project to DVD or export it to raw WAV files for use later if you want to save your work.  In the old days, the client bought the reel of tape to take with them.  Although this studio takes great care in safe guarding audio projects,  there is always the risk that something can go wrong with equipment/computers.  The most dangerous place for music tracks is on a hard disk as they can easily be corrupted and made unusable.  

I recorded at another studio, or intend to record here then finish it else where - can we do this?     It may depend on the project.  Pyramid has worked with studios across the country and overseas using the internet and other means.  It is important that the engineer knows your intent so the correct file format can be chosen before recording.

I recorded my song at home but can't get that professional sound.  Would you be willing to help?    Yes, as long as you can provide the individual tracks to mix.  Although there's no guarantee that anything may improve since much of getting a great sound depends on what gear is used (microphones, preamps, converters), the recording techniques, and room acoustics/isolation to deal with phase issues and other anomalies.  That is where the difference lies between professional and amateur work - good tracks to mix with.  Export the individual WAV or AIFF tracks (naming them) to a folder that is placed on a CDROM data disc.  Be sure to export each track from a common start point (usually zero on the time line) and make note of the tempo for the engineer. 

Some recording studios offer flat rates for songs.  Isn't this better?   It's all still based on an hourly rate - you just don't know what it is until you go past the "allowed" time to record.  Then the hidden charges suddenly appear.  Nobody sane works for below minimum wage unless they have an ulterior motive.  An up front hourly rate is the most honest way unless there is a contract spelling out the conditions such as percentages (points) ownership, etc.  Even with contracts are heartburn issues down the road if things go wrong.  Save up your money - pay the studio - own your music. 

If I record to MIDI at home, can you use that to create the song I can sing to in order to save time?     Absolutely, as long as the MIDI file is usable.  Emailing the file is quick and verifiable.   With VST plug-ins, we can take a regular "computer muzac" sounding file and give it realism. 

I just play one instrument, can you add drums, bass, and other pieces to make it sound like a band?     Yes, with VST, MIDI, and with other musicians (depending on your budget), we can make that happen.

I need help with production, is that available and what is the cost?     The engineer volunteers production talent only to help facilitate the project.  Since we don't set up a contract to sign, there is no additional charge and the "producer" has no claim to your music (points) if it were to make money.  As a courtesy, the artist usually credits the producer on the CD.  If a deal is made for production to insure dedicated treatment, a contract must be signed by both agreeing parties before work begins.  

If we use the service (production), does that mean you make all the decisions regarding our music?     No, the style of production is to guide the artist not impeded what he/she is doing.  Ultimately, the paying customer has the final decision over a suggestion made by the producer.

My child wants to record singing a cover song, but we don't have the money to create the music.  what do you suggest?     Go to any karaoke provider (i.e. on the Internet) and buy the CD that has the song on it.  Have him or her practice with it then show up to the studio for the session.  We can record the vocal with the song and mix it right in.  The voice will blend with the music and have a professional sound depending on the music track. 

Are we allowed to smoke inside the building?     Yes, in the break room and outside in the break area only.  Smoking around the equipment leaves a bad film that creates problems.

Are we allowed to consume adult beverages?     As long as you are of adult age and responsible (you break something, you buy it).  Let's keep in mind what you are trying to do.  Being seriously impaired doesn't help with decision making - it's your buck.

How does the studio feel about drugs?     What people do on their own is none of our business.  We don't facilitate the practice for obvious reasons since we're serious about results.  In altered states much of what you feel sounds good ends up thrown out tomorrow when rational thinking returns.

Are children allowed?     Of course as long as they are under your control and you are responsible for them and what they do.  Bring things for them to do since we don't have coloring books, etc.  

Are pets allowed?     While we love pets; the fleas, ticks, hair, puddles on the carpet, and howling while someone is singing (not kidding here), makes them unwelcome.  Since leaving them in the car is not an option, consider having someone watch them at home.  

 

 

 

 

 

 

 

 

 

 

Equipment

You've made 24 track 2" tape recording available.  With everything digital, why record to analog tape?     The sound...  Digital for years has been compared to analog tape in quality.  With sample rate of 192 kHz ( more than 10 times beyond the highest frequency humans might hear) the tech gods feel they have finally "the sound".  Well, no, they have a better signal to noise ratio.  Analog hiss is at about -65 dB and digital is beyond -100 dB.  Most CDs produced today have a dynamic range of zero with all the loud hard compression.  That means if there is anything audible, it will be closer to zero than -65.  But here's the kicker: We listen to CDs at a sampling rate of 44.1kHz that have filters dropping the frequency down to 22,050 Hz (still beyond the top range of human hearing).  In order to listen to anything at 192, 000 Hz, it must be chopped down to 44.1 kHz to be used in our digital players.  Well, that process creates zipper sounds (on/off/on/off) when the volume goes down so what do they add to the audio to mask the zipper sound??  low level analog type hiss!! 

Digital is quick, CHEAP, and facilitates audio manipulation (editing).  The sound remains sterile lacking the phatness of analog tape along with crisper/sweeter highs.  As far as the hiss (usually only heard at 15 ips) automation cleans that right up.  Another benefit of analog is the soft compression that occurs at hot levels (+3-6dB).  When digital goes over zero, it sounds nasty.  Analog tape (456) likes levels up to: +6dB.  The peaks beyond that are compressed by the tape which is tape saturation.  

With many people tuning to classic rock and old R&B stations it's not only a testament to the styles of that time, but the 24 track machines that recorded the performances mixed to 1/2 tape.  This "character" in sound remains when the music is transferred to digital by the way, since it is sterile - what you send in is what you get out.

Most studios use Pro Tools and you use Nuendo, what is the difference?     Both are competitors doing the same thing recording to hard disk (WAV& AIFF files), plug-in effects, automated mixing, and export tracks using OMF for portability.  You could pick up a light edition of  Pro Tools from your online dealer for $250 (some hardware offer the LE version for free) while Nuendo would run you $3,000.  The pro versions of Digidesign require outboard gear that runs into thousands, while with Nuendo, you can choose your outboard equipment but both do about the same thing with some variations.  We happen to enjoy Nuendo's unlimited tracks, an excellent engine that doesn't lock up the computer, VST Instruments (invented by Steinberg as well as the ASIO drivers), 32/64 bit  (lots of headroom for recording & mixing), and a long list of benefits.  But when it comes down to it, what matters is how the audio is captured (equipment, room acoustics, mic techniques, etc), and how the engineer shapes the sounds.  Software is only as good as the operator.

What difference does it make to use expensive microphones verses the inexpensive ones?     Each microphone has characteristics that give it a particular sound.  This has a tendency to color the sound rather than replicate it.  The more expensive types present a flatter frequency response (less coloring) and a good signal to noise response (able to pick up more with less volume).  The issues (bad frequency response and noise) tend to add up with multi-tracking. Cheap vocal microphones, as an example, have a honky muffled sound that will clash with guitar, keyboard, bass, and drum frequencies making  mixing a nightmare. 

Why is it important to have an assortment of microphones?      When multi-tracking, an assortment reduces the frequency bump that would come from using 1 or 2 microphones.  In addition, much of the usage depends on the sound being picked up.  Some mics work better for drums verses vocals.  However, an engineer has to be prepared to try mics not associated with vocals if the vocal is thin or comes with sibilance.

 

 

 

 

 

 

Miscellaneous

 

What is Mastering and do I need it?     Mastering is the final tweaking of the music prior to CD replication/duplication.  It attempts to set the levels (loudness, equalization, etc) to a standard for that genre (style).  All professionally recorded music on CD masters (store bought) have had mastering.  Without it, some songs on a CD will be louder than others, more shrill, dull, light kick drum, heavy kick (pops speakers), and other problems such as length not set to the standard Red Book.  Mastering for vinyl is also a necessity that requires a different approach.  

My CD has already been mixed, but it really sounds muddy and over compressed.  Can mastering fix this?     No, a project like that would be sent back to the studio to be remixed with instructions to clean it up, and get rid of the offending compression to make  a "PMCD " - premaster Compact Disc.  All mixes destined for mastering should be MUCH quieter than a store bought CD (about -15 dB headroom) to give the mastering engineer something to work with.  Unfortunately, with software such as Nuendo/Pro Tools/Sonar, etc, plug ins are available to apply EQ and compression to the tail end (master section of the mixer) which is often abused.

I have a CD mixed from somewhere else that needs individual instrument level changes, can you do this?     If the tracks are not available to remix the project, we cannot readjust the individual levels - only add audio.  It would be like trying to take eggs out of a cake once it's baked.  If you record ANYWHERE, always get the individual RAW tracks (AIFF, WAV) saved to CDROM or DVDROM for future needs.  This way the project can be remixed if the need arises (new vocalist, record company's request, TV tracks, etc).  Taking recorded tracks is your responsibility.  If you leave without them, the studio may not be obligated to keep them or  they may end up corrupted or deleted.  Years ago (with tape recording) the customer used to buy the tape ($250 or more) and take it home.  Today, having it burned to DVDROM cost a fraction yet people don't do this, until it's too late.

What benefit is there to going to a professional studio vs. buying my own recording equipment?     With recording gear sold online getting cheaper by the day (mostly made in China), the quality of individual circuits and components that give you the sound are compromised.  Is there really a difference between a $3,000 Neumann Microphone and a $79.00 one?  You bet and it all adds up in the end when compared to other CDs on the market.  Pro studios also have a war chest of microphones to get different sounds vs. using one mic for everything which is a bad thing to do.   Another consideration is tapping the talent and knowledge of a good engineer/producer to help your project move forward to completion.  Studios in the business are dedicated to providing the time, space, equipment, and know how to get the job done.  If there are technical issues, you don't need to worry about that, you just concentrate on performing.  In the end, you'll save money (and time) by going pro since it will take a considerable amount of  investment and learning to get things up to par to be comparable.

With the rates studios charge, wouldn't it be cheaper to buy my own gear to record my project?   If you haven't put the song together yet,  have no clue about how to, have no ideas and will be just experimenting, then buying your own gear is best.  You can then take your time to "learn" spending all the time you need without the cost.  Of course without guidance or education in at least the basics in music theory, this will be a long road for you.  And then comes the "Art of Recording" where even though you have a killer song, your lack of engineering/production skills combined with substandard equipment  may create something unsatisfactory.  Consider at that time bringing the project to the studio if the song is ready to go and you have at least a competent piano or guitar player.  Coming in with a band is the most cost effective since the basic parts (drums, bass, guitars, keyboards, and scratch vocals) all get recorded in one shot followed by over dubs.  Many bands that have recorded here spend a mere 8-10 hours total and walk away with a 3-4 song CD that sounds as good as any commercial CD with the cost less than an Xbox 360!  Your CD (with proper care) will outlast the usefulness of an Xbox by the way.

Am I allowed to record a song by another artist?  Recording isn't the issue as much as what you do with it afterwards.  The right thing is to contact the publisher/owner via services such as Harry Fox Agency (see resources) especially if selling someone else's work is involved.

What about copyrights and my music, when should that be done and how?     Technically, when something is placed on a CDR it is considered a copyright, although it becomes very difficult to prove had you the need.  If you trust the studio and your fellow band/session players, it should be safe in the studio as the engineer doesn't play anything to anyone else without your permission.  Since copyrights cost about $35 per submission (see copyrights information), it is best (cost wise) when you have many songs, to get it all done at once.  This may be a rough demo.

Do you have a record label?     No, there's already too many out there, but as an extra benefit to recording here, space is available on this web site (Music 2 Go) where people can be linked to see our customer's CD (artwork if submitted), hear short clips, and be linked to a purchase site.  While averaging over 20,000 hits yearly, this may help with exposure linking users to your website and to the purchase site (downloading or CD).

I purchased recording software from an online dealer and need help getting it running, do you assist with that?     The best thing to do is read the provided directions with the software or look under the help section.  If you bought recording equipment, you did so because you've decided to  engineer your own project.  There are schools that teach engineering.

A record producer in Nashville contacted me and said I have a good chance at making it big.  What do you think of this?   More than likely this is a scam especially if they ask for money up front.  You may end up paying 20k or more on a CD project that will go nowhere.  Worse yet, you may sign a contract that gives them complete control of your project even though you paid for it.  Studios in the big cities need cash and they prey on talent who are too eager for fame to read between the lines.  Have them send you the contract and hire a competent lawyer (at least one who specializes in business) preferably an entertainment attorney.  Remember that they need YOU to make money, so they should be willing to give you an advance to record the songs.  Let them fund it if they really believe in you.  Otherwise, you're better off recording locally - market your own music at gigs and online.  When you make enough waves (sell lots of CDs), the industry will probably contact you since they know you can make them money. 

 

 

 

 

 

 

 

 

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The Business
Some studios (pro, semi-pro, and beginner) will have a set rate for an unspecific amount of time (i.e. all day which could be 8-12 hours).  Even though you're technically not on the clock, they're watching it.  If you're taking too long there may be additional "hidden" charges.  It is always best to use a recording service that charges by the hour to avoid the problems later.

Tip
Be in charge of your own project (if you are financing it).  Consider what the end result should be (quality) and go to a studio that will get the job done efficiently without all the excuses those who are not dedicated give.
 
Copyright © 2007 [Pyramid Recording Studio]. All rights reserved.
Revised: December 17, 2007 .